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This textile, dated 9th-10th century, is very much in the Sasanian style of other textiles of the period, but its provenance is uncertain. 226) entered the personal collections of Louis XIV between 16 (Lentz and Lowry, p. With the development of archaeological excavations in Persia, and particularly those at Susa, the museum acquired a number of Elamite, pre-Achaemenid and Achaemenid objects, as well as important pieces of early Islamic period.Another fragment woven in silk, the so-called “Shroud of Saint-Josse” is, however, unquestionably Persian (, pl. The famous collections housed at the Louvre are of very different origins. A large part of the outstanding pieces of Persian art of the Islamic era was acquired through the sales of great private collections, such as Goupil’s, in 1888.
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During this time, some exhibitions were held (, 1989) which allowed the public to see some of the major Islamic works of art, although for limited periods only.
The most famous findings by Dieulafoy are the glazed ceramic wall decorations from Susa.
The magnificent archers’ frieze was heavily restored by him; and it is difficult to imagine today that most of the heads of these figures were entirely reconstituted with inspiration from the Persepolis reliefs.
It was in this museum, in 1903, that the first large exhibition of Islamic art was held (Mélikian, 1973, p. On the occasion of the opening of the Islamic art gallery in the Louvre, a practical handbook written by Marthe Bernus-Taylor, of this section, was issued (Bernus-Taylor, 1993).
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Thanks to the Susa findings, the Louvre has a rich collection of Persian ceramics, especially from the early Islamic period. As for the Safavid period, one of the outstanding items, the large “Tapis de Mantes” has already been mentioned.
But most of the great collections containing Persian art were created during the second half of the 19th century.
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